Manchester’s Haunted Museum

Manchester Museum, Oxford Road, Manchester, Greater Manchester UK.

In 2013 Manchester Museum made global headlines because of an alleged haunted statue, which drew even more visitors to one of the UK’s best museums. Manchester Museum is a wonderful museum displaying works of archaeology, anthropology and natural history and is owned by the University of Manchester, in England. The museum is situated on Oxford Road at the heart of the university’s group of neo-Gothic buildings, it provides access to about 4.5 million items from every continent. It is the UK’s largest university museum and serves both as a major visitor attraction and as a resource for academic research and teaching. It has around 430,000 visitors each year.

The First Floor Of The Museum In 1903.

The museum’s first collections were assembled by the Manchester Society of Natural History formed in 1821 with the purchase of the collection of the early textile industrialist, John Leigh Philips (1761-1841). The society established a museum in Peter Street, Manchester, on a site later occupied by the Young Men’s Christian Association, in 1835. This was extended in 1850 to include the collections of the Manchester Geological Society (who were founded in 1838).

The Museum’s Extension And Bridge Were Completed In 1912.

From 1835 to 1838 William Crawford Williamson, a young Yorkshire naturalist and geologist, was employed as manager and curator, the start of his long career in Manchester, mixing natural history and medicine. The museum charged for the admission of non-members, including the working classes, but by the 1860s the middle-class membership was falling and both societies encountered financial difficulties The museum first looked to local government for support, but on the advice of the evolutionary biologist Thomas Huxley it was Owens College, founded in 1851, which agreed to take the collection Owens College (now the University of Manchester) accepted responsibility for the collections in 1867. The museum in Peter Street was sold in 1875 after Owens College moved to new buildings in Oxford Street. However there was display room only for geology.

A Victorian Collection. Manchester Museum’s Egyptology Gallery c.1912.

By 1887, however, the college’s supporters had funded and built a large gothic museum, at the front of the college quadrangle. It connected with the Beyer Building which housed geology and zoology and botany, and, like the other college buildings, it was designed by the acclaimed artechetiure Alfred Waterhouse. Thomas Henry Huxley had advised on the principles of the building, while William Boyd Dawkins had developed the galleries, first as curator to the Natural History Society and then as Professor of Geology at the college. It was built on a site in Oxford Road (which was then Oxford Street. The new galleries were to be used by college staff and students, but they were also open to the public. The Manchester Museum was opened to the public in 1888. At the time, the scientific departments of the college were immediately adjacent, and students entered the galleries from their teaching rooms in the Beyer Building.

The Manchester Museum houses over 18000 objects from ancient Egypt making it one of the largest collections in Britain.

Two subsequent extensions mirror the development of its collections. The 1912 pavilion was largely funded by Jesse Haworth, a textile merchant, to house the archaeological and Egyptological collections acquired through excavations he had supported. The 1927 extension was built to house the ethnographic collections. The Gothic Revival street frontage which continues to the Whitworth Hall has been ingeniously integrated by three generations of the Waterhouse family. When the adjacent University Dental Hospital of Manchester moved to a new site, its old building was used for teaching and subsequently occupied by the museum.

The former Dental Hospital, The Museum Café Is Now Located In The Basement.

Taxidermist Harry Brazenor sits atop the Museum’s sperm whale skeleton during its installation, 1898.

And today situated In The The Vivarium, Which Houses A Collection Of Live Amphibians And Reptiles Including Many Critically Endangered Species.

In 2004 the museum acquired a reproduction cast of a fossil Tyrannosaurus Rex which is mounted in a running posture. “Stan”, as it is called, is based on the second most complete T. rex excavated in 1992 in South Dakota, by Stan Sacrison.

Manchester Museum’s “Stan” The Tyrannosaurus Rex .

The museum is one of the University of Manchester’s ‘cultural assets’, along with the Whitworth Art Gallery, and John Rylands Library amongst others. The Manchester Museum has been extended several times, usually to accommodate new kinds of collections. It is also home to .Maud The Tigon, Maude was the most famous animal in Belle Vue Zoo in the 1940s. When she died, in 1949, her skin was given to the Manchester Museum, part of The University of Manchester, now, she has been prepared by an expert taxidermist and can be admired in her full glory.

Maud The Tigon, Belle Vue Zoo’s most famous animal.

One of the most fascinating exhibits is a detail from an Assyrian cuneiform slab, from the lower part of the slab, depicting a winged Assyrian deity (or genie) holding a pine cone. The inscription is formulaic and in honour of the King, Assur-nasir-pal II of Assyria. This dates the piece to 883-859 BC and is believed to have once being part of King Assurnasirpal II’s Northwest Palace at Kalhu (modern day Nimrud).

Detail from an Assyrian cuneiform slab, 883-859 BC.

In June 2013 time-lapse footage showing a 10-inch Egyptian statue in the museum’s collection, Neb-Senu a 4,000-year-old Egyptian statue made in about 1800 BC as a medium for the soul of an ancient Egyptian man, had curators at Manchester Museum puzzled after it began to mysteriously rotate overnight, despite being housed in a secure glass case. The statue viewed apparently spinning around unaided, attracted worldwide media attention. Various theories were put forward, with the university’s Professor Brian Cox suggesting “differential friction” between the glass shelf and the object, possibly caused by vibrations made by visitors, caused the object to move. The museum’s Egyptologist Campbell Price, said “it has been on those surfaces since we have had it and it has never moved before. And why would it go around in a perfect circle?” The Manchester Evening News reported that the incident “sent visitor numbers soaring at the Manchester Museum”,and Tim Manley, head of marketing and communications, commented that “There’s been a definite spike in visitors”.

On my last visit to the museum I was delighted to see an ancient statue representing the head of Sekhmet, the Egyptian lion headed goddess. Sekhmet, meaning “she who is powerful”, was an aggressive lioness-goddess associated with destruction. Hundreds of life-size statues of Sekhmet, were erected by King Amenhotep III at his mortuary temple in Western Thebes. Some like the statue in Manchester Museum were moved to cities such as the ancient city of Bubastis. Sekhmet along with Lilith (Mesopotamian and Jewish mythology) is one of the main themes in the first book in my Highgate Trilogy Asylum.

Black granite head of Sekhmet. When complete, this Statue would have shown Sekhmet with a human body and the head of a lioness. Here she wears a crown made up of the solar disc and cobra. Origin Bubastis, Reign of Amenhotep III (c. 1390-1352 BC).

Manchester Museum, Oxford Road, Manchester, Greater Manchester UK.

https://www.amazon.co.uk/Asylum-Highgate-Novels-Book-One-ebook/dp/B09J34VZTM.

Manchester’s Industrial Past- The Whitworth.

The Whitworth, Oxford Road, Manchester, Greater Manchester UK.

Manchester’s The Whitworth (formerly known as Whitworth Art Gallery ) stands amongst Whitworth Park, it’s origins stem from the time of the Industrial Revolution, when Manchester was the largest centre of manufacturing. The gallery was founded in 1889 by Robert Dukinfield Darbishire with a donation from Sir Joseph Whitworth, as “The Whitworth Institute and Park”.

Postcard, The Whitworth In 1908.

Edmund Crompton-Potter (the uncle of Beatrice Potter) owned Rusholme House (built around 1810), which once stood on the corner of Moss Lane East and Wilmslow Road. His estate spanned Rusholme Brook, which separated Rusholme from Chorlton-on-Medlock and included Grove House,(built about 1830) and an area called “Potter’s Field”, in total an area of 20 acres. When Crompton-Potter died in 1884 arrangements were made to sell the whole estate. The Manchester Guardian debated the case for the City Council acquiring the Potter Estate for a public park. During this time Robert Darbishire opened the garden of Rusholme House and Potter’s Field to the public, who turned up at weekends in their thousands, on occasion being entertained by a brass band!

Whitworth Park In 1907.

On Joseph Whitworth’s death, in January 1887, his legatees bought the estate for the Whitworth Trust at about the original asking price. An offer was made to give the land conditionally to the city for a public park subject to the council building an art gallery. Rusholme House was demolished, and Alfred Wilsher, the park superintendent was sent to the continent to see examples there, and the whole estate re-laid as an organised Park with wide avenues, new trees and flower beds, a bandstand and shelters, and later a lake with large fountain, islands, boathouse and pavilion.

Whitworth Park In 1910.

Grove House became home to a growing collection of sculpture and paintings and on 16 June, 1890 the Whitworth Institute, which had been incorporated in 1889, quietly opened Whitworth Park to the public as “a woodland park and pleasure ground”, the event being marked by a public notice on the gate and in newspapers but no formal ceremony was held. The Park was very popular and attracted large numbers of people and more attractions were added. An observatory to record meteorological data was added by Owens College next to the lake in 1893 and in 1895 Darbishire donated a sculpture by George Tinworth, Christ blessing the Children. This was, apparently, the first sculpture erected in a Manchester Park. Band concerts were a regular feature. I would love to have seen the park in it’s heyday as a pleasure ground I’m sure it never looked more beautiful.

Sculpture By George Tinworth, Christ Blessing The Children With Extended Grove House Behind.

The Whitworth Institute made plans for its growing art collection and in 1891 an architectural competition to rebuild Grove House as an Art Gallery, was won by J.W.Beaumont, a Manchester architect already involved in other projects including the design of the buildings in the Park. The rear part of Grove House was demolished to make way for new galleries built to the winning design between 1892 and 1898.Although the Park was very successful, the cost of its development and maintenance was inhibiting the completion of Beaumont’s scheme, and in 1904, the Park was leased to the City Council for 999 years in exchange for a small annual rent. The Institute retained Grove House and about two acres of the original 20 acre plot.

Invitation To The Opening Of The Gallery 1908.

Although Darbishire died shortly afterwards, his contribution to late 19th and early 20th century life in Manchester had earned him the freedom of the city in 1899. His obituary in the Manchester Guardian describes a man of an independent and non-conformist nature who pursued his interests and objectives with great tenacity, who donated his collections to public institutions and found ways to promote and enable many good causes.

Aerial View Of Whitworth Art Gallery And Park In 1922.

A statue of King Edward VII by John Cassidy on the east side, unveiled in 1913, commemorates the royal visit when the new Royal Infirmary was opened in 1909. The bronze statue, mounted on a square, stepped granite plinth and pedestal, is a grade II listed structure.

King Edward VII By John Cassidy Photographed In 1920 With The Art Gallery Behind , Photographed From The Entrance, Early 20th, And Today.

In the early years of the 20th century, the emphasis was on creating national collections of print and modern art. Margaret Pilkington, gallery director from the 1930s to 1950s, oversaw 339 acquisitions, with more to come when the gallery became part of the University of Manchester in 1958. And in 1967, the Whitworth was given a collection of wallpapers that stands alongside that of the V&A.

The Whitworth’s North And Central Gallery Early 1900’s.

Around this time, the university decided to overhaul the Edwardian building. The architects Bickerdike, Allen and Partners transformed the gallery, and by the late 1960s its breathtakingly bold, open-plan, Scandinavian-style spaces, along with a reputation for championing new artists of the time such as David Hockney, which led to it acquiring a new nickname, dubbing it, “Tate of the North”.

The Whitworth’s Art Gallery Darbishire Hall 1908.

The Whitworth’s Gallery Entrance Early 1900’s and Today.

The Whitworth Art Gallery In 1930.

In 1995, another extension – the RIBA award-winning Sculpture Court, was added, but even so the Whitworth quickly began to run out of space. In 2015, the Whitworth reopened after it was transformed by a £15 million capital redevelopment that doubled its exhibition spaces, restored period features and opened itself up to its surrounding park. The gallery received more than 440,000 visitors in its first year and was awarded the Art Fund’s Museum of the Year prize in 2015.The present day building expansion was created by the innovative practice, MUMA (McInnes Usher McKnight Architects). The original building, meanwhile, has been beautifully restored.

The Beautiful Interior Of The Original Whitworth Building.

The Gallery recently hosted Albrecht Dürer’s material world exhibition, the first major exhibition of the Whitworth’s outstanding Dürer collection in over half a century. Woodcuts, etchings, and engravings, from the Whitworth’s collection, are juxtaposed with a range of objects from Dürer’s time, including armour and tableware, books and scientific instruments, textiles, and exotic artefacts. We’d visited the gallery especially and weren’t disappointing it went far beyond our expectations and gave us a chance to visit the rest of The Whitworth my first visit in many years. Considering Dürer’s contribution to printing it is very relevant to a writer such as myself.

Aspects Of The Albrecht Dürer’s Material World Exhibition.

The Whitworth, Oxford Road, Manchester, Greater Manchester UK.

Fog Lane Park, Didsbury- The Wonder Of WildLife.

Fog Lane Park, Fog Lane, Didsbury, Manchester, Greater Manchester UK.

Fog Lane Park is a large community park situated in the desirable suburb of Didsbury, it is a park of several variations with something for everyone. The park is particularly suited to football, having several pitches. It is located a short walk from Didsbury village centre.

Fog Lane Park, Didsbury 1954.

Fog Lane Park was purchased in 1926 by the Council and was one of the first public parks in Manchester. It is thought that Fog Lane Park earned its name from a grass, commonly known as ‘Yorkshire Fog’ which still grows throughout the park. The site is comprised mainly of grassland and woodland, but also contains two small lakes, shrub beds, scattered trees, rose gardens and a sensory garden and children’s play areas.

Fog Lane Park, Didsbury 1962.

Fog Lane has a beautiful rural aspect with its grassland and woodland, it also has an area dedicated to the growth of wild flowers. These in turn attract wildlife such as butterflies, dragonflies and a large selection of insects. Which provide food for a wide variety of birds which visit the park and are then encouraged to nest, filling the two lakes . These include mallards, moorhens, Canada geese, kestrels, wood pigeons, coots and the occasional heron, plus the latest additions, ring-necked parakeets.

Varieties Of Wild Birds In The Two Lakes In Fog Lane Park.

Urban pigeons join with their wildlife cousins!

The park has a wide variety of trees and shrubs, including dawn redwood, silver birch, laburnums and flowering crabs, as well as a number of unusual specimens which have reached maturity, including hornbeams, alders, poplars, Norway maple and Indian bean.

Fog Lane Park, Didsbury 1962.

The park is popular with dog walkers, joggers and walkers, Saturday and Sunday league football and for educational purposes, by school groups, church groups and scout/brownie groups. Fog Lane Park Bowling Club and the Friends of Fog Lane Park actively work with Manchester Leisure to improve and promote the site.

Woodland In Fog Lane Park.

The Manchester Corinthians
Manchester Corinthians L.F.C. was a English women’s football club founded in 1949 by Percy Ashley, principally so that his daughter, Doris, could play. Fog Lane Park was their home ground although it had such basic facilities that players had to take post-match baths in a nearby duck pond. Ashley chose the team name as a homage to Corinthian FC, the men’s amateur football team from London, famous for their sporting ideals.

Mural in Fog Lane Park In Honour Of The Manchester Corinthians.

The Football Association banned women from playing on FA-affiliated pitches in 1921.The ban was finally lifted 50 years later following the formation of the Women’s Football Association. The team were incredibly successful, and by the early 1950’s had won numerous trophies. The team won the large majority of its matches, in 1957, in order to have more local opposition to play, Ashley set up a second, linked, team, The Nomads, which was effectively the club’s second eleven. The team took place in many annual tours, the longest being a 12-week tour of South American and the Caribbean in 1960. Some matches attracted crowds of tens of thousands, and large amounts were raised for charity.

Mural in Fog Lane Park In Honour Of The Manchester Corinthians.

Percy Ashley died in 1967, and the team was gradually eclipsed by newer clubs, after the Football Associations ban on women playing on FA-affiliated pitches was finally lifted in 1971 with the formation of the Women’s Football Association. A commemorative blue plaque was unveiled in Fog Lane Park on Friday, 6 October 2023 on the main wall of the parks café, alongside a number of other tributes.

Mural in Fog Lane Park In Honour Of The Manchester Corinthians.

Blue Plaque Honouring The Manchester Corinthians On The Café Wall.

Fog Lane Park Community Café, Featuring The Blue Plaque.

Side Wall Of Fog Lane Park Community Café.

Mural On Side Wall Of The Community Cafe.

Another lovely park to visit, especially if like us you love wildlife and watching the many varieties of ducks that have made their home in the two lakes. Already inspiring me to write more, you wouldn’t think such a lovely tranquil place would inspire me to write horror!

Fog Lane Park, Fog Lane, Didsbury, Manchester, Greater Manchester UK.

The Secret Garden -Marie Louise Gardens, Didsbury, Manchester.

The Lodge in Marie Louise Gardens, Holme Road, Didsbury, Manchester, Greater Manchester UK.

Marie Louise Gardens is a hidden gem in an ever changing world, for over a hundred years it has been a sanctuary from the ever increasing hustle and bustle that surrounds it. Tucked away behind one of South Manchester‘s busiest roads, it is a small wooded five acre park located amongst residential housing, in one of Manchester’s most sought after suburbs, it is a place of peace and quiet for all to enjoy.

Winter in Marie Louise Gardens, Holme Road, Didsbury, Manchester, Greater Manchester UK.

The Silkenstadt family originated from Bremen in Germany. Johann Georg Silkenstadt moved to Manchester around 1865 and became a very wealthy cotton merchant. He married Josephine Helene Genth from Huddersfield and they lived at Rose Bank in West Didsbury which he had built in 1872. The Silkenstadts only had one child, a daughter they named Marie Louise, who was born on 26th March 1865.

Old Postcard Of Marie Louise Gardens 1908.

Marie Louise was married in 1888 to William Murray Caldwell Greaves Bagshawe at St James Church in Rusholme. The Bagshawes were a renowned family who lived at Ford Hall in Chapel en le Frith, Derbyshire. The new Mr and Mrs Bagshawe lived in Greystoke Hall which Mr Silkenstadt had built for them as a wedding present. Rose Bank and Greystoke Hall were both on the same site, and some years ago, when Manchester University bought both the properties to use as student halls of residence, both buildings became known as Greystoke.

Greystoke Residential Home For Female Students 1974.

Marie Louise did not have a long and happy marriage, because she died of peritonitis on 20th October 1891, only three years after her marriage. On 27th October 1892, her father also died, leaving poor Josephine alone in the family house, Rose Bank.

William Bagshawe, was not to be a widower for long, he died mysteriously in 1901. He had served in the Boer War, but was sent home to recuperate after suffering injury and concussion. A year later whilst at sea on a cruise steamer he disappeared, leaving all of his luggage behind on the steam cruiser which was anchored off the coast of Madagascar. His body was never recovered, even though his family offered a reward for information as to the mysterious circumstances of his disappearance.

Old Postcard Of Marie Louise Gardens.

Broken hearted and alone Mrs Silkenstadt decided to do something in memory of her daughter and bought a piece of land along nearby Palatine Road. The land was purchased from three vendors, Thomas Gair Ashton, Edward Tootal Broadhurst and Edward Donner at a cost of £5,25.

Plaque At The Palatine Road Entrance To Marie Louise Gardens.

The design of the Lodge and the Gardens was undertaken by Joshua Cartwright, a very well respected civil engineer in Manchester, who was also responsible for the Arts and Crafts Centre, Broad Street, Bury (formerly the Bury Technical College), which is now a Grade II listed building.

Steps and Palatine Road Entrance To Marie Louise Gardens.

The total cost of the land and building works was approximately £15,000, equivalent in today’s money to £1.37 million; Mrs Silkenstadt’s gift was, by any standards, a very generous one. Initially, there were 72 different types of tree planted in the Gardens which boasted many species not seen before.

Winter in Marie Louise Gardens, Holme Road, Didsbury, Manchester, Greater Manchester UK.

The Gardens were entrusted to Withington Urban District Council, and the official opening ceremony took place at the entrance on Dene Road on 13th June 1903. They were understandably a great success with local people, and the Council employed a Mr Coulson to tend them and manage their upkeep; he took great pride in looking after the Gardens and was given two days off every month, he was the first resident park warden and the first occupant of the elegant lodge. He earned 25 shillings a week, which was a good wage in 1903.

Old Postcard Of View Of The Lodge And Gardens, And Similar View Present Day.

The gardens became a popular walking spot for Admiral Karl Doenitz who was to become Germany’s final fuhrer. In 1917 he was a young submarine commander who was captured as a prisoner of war. Being an officer and a gentleman he was allowed parole and he took an apartment in nearby Palatine Rd.

Admiral Karl Doenitz Photographed As Watch Officer During World War I.

The Friends Group is a voluntary organization which was formed on the 5th March 2008, following a hugely successful campaign by local residents to prevent the sale of part of the Gardens for development. Their aim being to assist the Council in preserving the integrity and character of the Gardens.

Winter in Marie Louise Gardens, Holme Road, Didsbury, Manchester, Greater Manchester UK.

Over the previous 20 years, prior to the formation of the friends group, the appearance of the Gardens had deteriorated, but thanks to the friends in the last few years, the appearance of the park has been transformed, with new tarmac paths, benches and bins. The perimeter walls have been renovated and rebuilt, the shelter restored and re-roofed. The entrance to the park from Palatine Road has been re-opened and the Dene Road entrance opened out and re-planted.

View Of The Lodge, Marie Louise Gardens.

The gardens are home to a mixture of different trees and other ericaceous plants, the trees are labelled so they can be identified and come from all round the world. The gardens are home to a great number of wildlife and are renowned for the many very tame squirrels that are in abundance, a definite bonus if you‘re thinking of paying a visit to these beautiful gardens, which we do often .

One of the many squirrel inhabitants of Marie Louise Garden.

There are so many beautiful green spaces in Didsbury, all a wonderful source of inspiration to my horror writing believe it or not!

View Of The Lodge, Marie Louise Gardens.

Manchester Art Gallery, Victorian Splendour.

Manchester Art Gallery, Mosley Street, Manchester, Greater Manchester, UK.

Located in the centre of Manchester on Mosley Street stands one of the best galleries in the country. Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum. The main gallery premises were originally built for a learned society in 1823 and today its collection occupies three connected buildings, two of which were designed by the architect Charles Barry. Both of Barry’s buildings are listed. The building that links them was designed by Hopkins Architects following an architectural design competition managed by RIBA Competitions. The project was finished in 2002 following a major renovation and expansion project undertaken by the art gallery, when it reopened.

Manchester Athenaeum, Princess Street, Manchester, Greater Manchester, UK.

Manchester Art Gallery houses many works of local and international significance and has a collection of more than 25,000 objects. More than half a million people visited the museum in the period of a year, according to figures released in April 2014.

Manchester City Gallery, Mosley Street Manchester, Sketch Late 19th Century.

It’s history began in 1823 when the Royal Manchester Institution a scholarly society formed. It was housed in what is now the art gallery’s main gallery building on Mosley Street. The first object acquired for its collection was James Northcote’s A Moor (a portrait of the celebrated black actor Ira Aldridge), which was bought in 1827.

James Northcote’s A Moor 1826, the first piece acquired by the gallery.

The Royal Manchester Institution opened its galleries to the public 10 years after its formation, it frequently held art exhibitions and collected works of fine art until 1882 when its premises and collections were transferred under Act of Parliament to Manchester Corporation, becoming Manchester Art Gallery.

Inside Manchester City Gallery, Mosley Street Manchester, Postcard Late 19th Century.

The institution was handed over on condition that £2,000 per annum would be spent on art for the following 20 years. The Art Gallery Committee bought enthusiastically and by the end of the 19th century had acquired an impressive collection of fine art, added to by gifts and bequests from wealthy Mancunian industrialists.

Manchester Art Gallery And Athenaeum, Sketch 1894.

On 3 April 1913, three suffragettes, (Lillian Williamson, Evelyn Manesta, and Annie Briggs) staged a protest in favour of women’s suffrage in the United Kingdom. They broke the glass of 13 paintings including two by John Everett Millais and two by George Frederick Watts. Four of the paintings were damaged by the broken glass. Williamson was sent to jail for three months and Manesta for one.

Manchester Art Gallery Postcard Early 20th Century.

Manchester Art Gallery is housed in three buildings all connected. The original City Art Gallery building, which faces onto Mosley Street, was designed and constructed between 1824 and 1835. It originally housed the Royal Manchester Institution. Designed by architect Sir Charles Barry in the Greek Ionic style, the building is now Grade I listed.

Royal Manchester Institution, Mosley Street, Manchester 1835

The two-storey gallery is built in rusticated ashlar to a rectangular plan on a raised plinth. The roof is hidden by a continuous dentilled cornice and plain parapet. Its 11-bay façade has two three-bay side ranges and a central five-bay pedimented projecting portico with six Ionic columns. Set back behind the parapet is an attic with small windows that forms a lantern above the entrance hall.

Royal Manchester Institution, Mosley Street, Manchester 1840.

Manchester Athenaeum, which was also designed by Barry, was built in 1837 and was originally a club built for the Manchester Athenaeum, a society for the “advancement and diffusion of knowledge”, in 1837. Barry designed the Athenaeum building in the Italian palazzo style, the first such building in the city .The society, founded in 1835, met in the adjacent Royal Manchester Institution until sufficient funds had been raised for the building. The society overcame financial difficulties to become the centre for Manchester’s literary life. It ceased operations in 1938. Manchester Corporation acquired the building in 1938 to provide additional space. It is Grade II* , the Athenaeum fronts onto Princess Street.

Manchester Athenaeum, Princess Street, Manchester 1840.

In November 1994, an architectural design competition managed by RIBA Competitions was launched to refurbish the existing historic gallery and the Athenaeum and link them with a new building on the car park site. The competition attracted 132 architects, six of whom were selected to proceed to the final stage. Michael Hopkins and Partners were announced as the winners in January 1995. The gallery closed in 1998 and reopened in 2002 following the £35 million refurbishment and extension.

Interior Of Manchester Art Gallery Present Day.

The gallery has a fine art collection consisting of more than 2,000 oil paintings, 3,000 watercolours and drawings, 250 sculptures, 90 miniatures and around 1,000 prints. It owns more than 13,000 decorative art objects including ceramics, glass, enamels, furniture, including four pieces by the Victorian architect and designer William Burges. As well as metalwork, arms and armour, wallpapers, doll houses and related items. Manchester Art Gallery is strongest in its collection of Victorian art, especially that of the Pre-Raphaelite Brotherhood, and Victorian decorative arts.

William Burges, Burges Desk And Escritoire, 1865-67.

In January 2018, the gallery took down John William Waterhouse’s Hylas and the Nymphs (1896) painting, leaving an empty space to encourage meaningful debate as to how women’s bodies should be displayed. Post-it notes were provided for visitors to air their views. The gallery’s actions prompted a strong backlash with accusations of censorship, puritanism and political correctness. The museum was “completely taken by surprise by the ferocity of the response” and the painting was rehung after a week’s absence, a massive victory for common sense.

John William Waterhouse’s Hylas and the Nymphs (1896)

The gallery is a brilliant way to while away an afternoon, so many wondrous works of art, I initially paid a visit remembering the impressive paintings of the Pre-Raphaelite Brotherhood housed there, when I last visited quite some years ago. I was looking for further inspiration for my second novel in the Highgate series, I wasn’t disappointed. Work by Madox Brown, Autumn Leaves by Millias, Rossetti’s Astarte Syriaca, the aforementioned Waterhouses’s Hylas and the Nymphs, but overwhelmed by so much more.

Ford Madox Brown’s Work 1865

John Everett Millais’s Autumn Leaves 1856

Dante Gabriel Rossetti’s Astarte Syriaca 1877.

One of the most impressive paintings I found to be Balaclava (1876) by Elizabeth Thompson, Lady Butler, in fact it took my breath away. A depiction of the battle scene at Balaclava, illustrating the return of survivors of the charge of the Light Brigade. Soldiers on horseback and on foot make their way up a hill, facing towards the viewer, in various states of injury, some still carrying crumpled standards. In the foreground, centre, a soldier stands gazing into the distance, (the actor William Henry Pennington who was actually in service during the Crimean War and took part in the actual charge an expression of shock on his face, carrying a bloodied sword in his right hand). The painting was gifted to the gallery in 1898 from Robert Whitehead.

Elizabeth Thompson, Lady Butler’s Balaclava 1876.

Another of my real favourites, The Sirens and Ulysses by William Etty (1837) was painted using an experimental technique, which caused its deterioration as soon as it was completed. It was first shown in a major London exhibition of Etty’s work in 1849 and at the 1857 Art Treasures Exhibition in Manchester, but was then considered in too poor a condition for continued public display and was placed in the gallery’s archives. Restoration began on the work in 2003, and in 2010 the painting went on display in the Manchester Art Gallery, over 150 years after being consigned to storage

William Etty’s The Sirens and Ulysses 1837.

The gallery houses has a whole room devoted to the French impressionist, Pierre Adolphe Valette, who painted and taught in Manchester in the early years of the 20th century; (he moved there in 1905). Some of his scenes of foggy Manchester streets and canals are displayed with Lowry’s, where the viewer may compare some of his paintings with those of Lowry’s, and judge to what extent Lowry’s own style was influenced by him and by French Impressionism, Valette’s paintings are Impressionist. I was extremely enthralled by all of his work, especially considering they feature familiar Manchester landmarks, which I have known all my life, but three in particular stood out.

LS Lowry’s Coming Home From The Mill 1928

Oxford Road. The Refuge Assurance Building can be seen under construction. 1910,

An impressionistic, fog ridden view of Oxford Road, Manchester, capturing exactly the atmosphere of that time period. The view is looking towards the city centre with the Refuge Assurance building (now the Kimpton Clocktower Hotel) under construction in the background to right, beyond the railway bridge which spans the street to the left. There is a car in the foreground beside a pavement full of people, and buildings with smoking chimneys line the road to the right. The painting was purchased from the artist in 1928.

Adolphe Valette’s Oxford Road 1910.

Hansom Cab at All Saints Date 1910
An atmospheric, smog-filled, winter scene of a hansom cab parked up on Grosvenor Square (All Saints) on Oxford Road, Manchester, seen from the corner of Devonshire Street. The cab and horse, parked at the curb to the left of the scene, are in profile, the horse has its head lowered to the ground as it feeds from a nosebag and has a blanket draped over its back. A male figure stands on the back of the cab, leaning on its roof. Several figures make their way along the pavement between the cab and a wall with an iron railing fence, beyond which are the silhouettes of bare trees standing in the grounds of the twin-towered Scottish Presbyterian Church (now demolished), its hazy form visible against a darkening sky. The painting was purchased from the artist, 1928.

Adolphe Valette’s Hansom Cab at All Saints 1910.

Old Cab at All Saints, 1911

A hazy autumnal scene of a hansom cab parked at the curb of Grosvenor Square (All Saints) on Oxford Road in Manchester. The view is from Oxford Road, looking west where a white horse and cab are placed centre of the composition. The horse is fed from a nosebag as it rests with a blanket, whilst the driver smokes a pipe. A small group of figures have paused near the horse’s head, as other pedestrians pass by between the cab and the wall beyond, which is topped with iron railings. Behind the wall are the silhouetted forms of trees and further back still stand masses of buildings in the haze. To the left, stands a building with a domed roof which was formerly the Registry Office and the building to the extreme right is the corner of All Saints Church, which used to be sited in the centre of the square, before it was bombed during the Second World War. The painting was purchased from the artist, 1928.

Adolphe Valette’s Old Cab At All Saints 1911.

There was too much to take in, in one afternoon, I saw plenty to inspire me for my second Highgate book I won’t leave it so long until I visit again.

Edward Matthew Ward’s Byron’s Early Love, ‘A Dream of Annesley Hall’ 1856.

Frank Bernard Dicksee’s The Funeral Of A Viking 1893.

Charles Mengin’s Sappho 1877.

John Melhuish Strudwick’s When Apples Were Golden And Songs Were Sweet But Summer Had Passed Away 1906.

William Holman Hunt ‘s The Hireling Shepherd 1851.

Asylum Highgate Book One is available via Amazon, kindle, paperback and hardback.

Christmas In Didsbury

Christmas Tree And Decorations In The Old Parsonage, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

This will be our first Christmas in Didsbury, so excited, I’ve always loved Didsbury, my late mother lived there briefly as a teenager and passed on her love to me. Didsbury is a magical place and even more so at Christmas.

Christmas began when the Christmas Lights were switched on in Didsbury’s oldest Street Warburton Street on November the 16th.

Didsbury’s Warburton Street At Christmas, Christmas Lights Switch On, November 16th 2023.

Didsbury’s Warburton Street, Didsbury, Manchester, Greater Manchester, Christmas 2023.

Shop Window Display Of Harriet & Dee, Warburton Street, Didsbury.

Shop Front And Door Of Harriet & Dee, Warburton Street, Didsbury.

Shop Window Display Of E.J Morten Booksellers,Warburton Street, Didsbury.

Shop Windows, Didsbury Village At Christmas

Shop Window Display, The Cheese Hamlet,Wilmslow Road, Didsbury Village, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Shop Window Display, Zo & Co, Wilmslow Road, Didsbury Village, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Shop Window Display ,Giddy Goat Toyshop, Albert Hill Street, Didsbury, Manchester, Greater Manchester UK.

Shop Window Display, Kjole Ladies Clothes Shop, Albert Hill Street, Didsbury, Manchester, Greater Manchester UK.

Shop Window Display Of R.C.Broadbent, Barlow Moor Road, Didsbury, Manchester, Greater Manchester UK.

Christmas Light On Barlow Moor Road, Didsbury, Manchester, Greater Manchester UK.

Christmas Trees Above Julian Wadden, Wilmslow Road, Didsbury Village, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Christmas Tree Outside Didsbury Library, Wilmslow Road, Didsbury Village, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Tree In Didsbury Park, Near The Pavilion, Wilmslow Road, Didsbury Village, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Old Cottage, Millgate Lane, Didsbury, Manchester, Greater Manchester, UK.

The Didsbury, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Ye Olde Cock Inn, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

4 Of Us, (Next To Ye Olde Cock Inn), Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Tree And Lights, Outside The Lodge, Alpine Tree Room, Fletcher Moss Gardens, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

The Old Parsonage

Christmas Tree And Decorations In The Old Parsonage, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK

Didsbury To Me Is My fairytale Place, it was the main inspiration for the first two chapters of Asylum The first book in my trilogy The Highgate Novels and hopefully will inspire me to write more

Autumn In Didsbury Park

Didsbury Park in November 2023, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

As we took an Autumnal stroll through Didsbury we took a few moments to reflect on it’s beauty. The Park was one of the first municipal planned parks in the city, redesigned in the 1920s to include recreational features for residents, some of which still exist. The site mainly consists of amenity grassland, woodland and flora. The park is thought to have an old air-raid shelter underneath the football pitch.

Didsbury Park in November 2023, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Welcome Carving Entrance To Didsbury Park, Didsbury, Manchester, Greater Manchester, UK.

It was one of the first places we visited after moving to East Didsbury, we soon considered it our park it is such a friendly welcoming place, dog and family friendly, there is a children’s play area, which I’ve seen the odd grandma using as well as her little charges! A football pitch, a bowling green, and a charming café with a pavilion also feature, where recently Manchester City displayed their silverware as a stop on their Treble Trophy Tour. The same day the annual dog show was taking place.

Manchester City Displaying Their Silverware in Didsbury Park Pavilion, September 8th 2023.

Dog Show Didsbury Park, Didsbury, September 8th 2023

A private gated bird garden which is so quiet and serene, how we love to sit in there. Because it is gated and no dogs are allowed, the squirrels will run to you and take nuts from your hand before they lose their nerve. As well as wood pigeons, crows, magpies and the green parakeets which inhabit the area .

Beautiful Wildlife In The Bird Garden, Didsbury Park, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

The parakeet is an indigenous bird of Australia but sheer numbers of them are to be spotted in South Manchester, Didsbury Park being one of them. One theory being they were simply pets that escaped or were intentionally released from captivity way back in the 1970s. Another reason given back during the storms of 1987 so many aviaries were damaged that many parakeets escaped. They’re a lovely colourful addition to Manchester’s suburbs and parks but sadly they are a problem for native birds because of their sheer number, and they are considered bullies.

Parakeets in the Trees Of Didsbury Park, Didsbury Park, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

Tim & Andy Burgess, were commissioned by The Friends of Didsbury Park and Manchester City Council, to produce a carving. “The owl and her babies” it is located at the Wilmslow Road entrance to the park.

The Owl And Her Babies” by Tim & Andy Burgess, located at the Wilmslow Road entrance to the park.

In June 2022 eight new woodland animal carvings were installed along the new woodland trail, carved by Ant Beetlestone.

The Woodland Trail, Animal Carvings by Ant Beetlestone, located throughout the park, Didsbury Park, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

There are also many memorial benches located throughout the park, as well as some beautifully sculpted tributes.

Memorials, Didsbury Park, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

If you step outside the park at the School Lane entrance you will discover Didsbury’s Poppy Path, a mural created in 2018 to commemorate the 100th anniversary of the end of World War One. Located between Didsbury Park and School Lane, by graffiti artist Quebek. Quebek’s other work includes the bee mural on the side of Koffee Pot in the Northern Quarter, painted in memory of those who lost their lives in the 2017 terror attack.

Didsbury’s Poppy Path located at the School Lane Entrance of Didsbury Park, School Lane, Didsbury, Manchester, Greater Manchester UK.

The park was awarded the Green Flag Award, a park or green space must be welcoming, safe and well maintained with a strong involvement from the local community to win such an award. The Friends of Didsbury Park are a marvellous team of volunteers who on the 14th of November, the day of The King’s birthday were awarded The Kings Award For Voluntary Service, a very deserved award, for making the park such a beautiful space.

https://www.friendsofdidsburypark.com/blog-1-1/veryspecialnews/

Didsbury Park The Kings Award For Voluntary Service on November 14th 2023.

Gilbrook Road Entrance To Didsbury Park, November 17th 2023, Displaying The King’s Award, Didsbury, Manchester, Greater Manchester UK.

I love this park so much, I’m sure it will inspire me to write more.

29 Didsbury Park in November 2023, Wilmslow Road, Didsbury, Manchester, Greater Manchester UK.

The Beauty of Stenner Lane- Part Three-A Holy Well And The Gates Of Hell.

18th Century Cottages On Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

The area around Stenner Lane in East Didsbury is known as The St James conservation area, it was designated in November 1970 by Manchester City Council. Stenner Lane is home to the two oldest buildings in Didsbury, the Medieval St James Church and the Old Parsonage which in part dates back to 1650. Plus a line of charming cottages which date from the 18th century.

Postcard “Old Cottages On Stenner Lane, Didsbury“, early 1900s.

But it is also the location of a well which was known as a Holy Well, which provided water and permitted the growth of the hamlet over the next few hundred years. Cited to be near the old graveyard of St. James church, this once ever-flowing spring of water was of great repute in earlier centuries, not only for general health, magick and traditions, but also supposedly in prolonging life itself!

Water Troughs, The Holy Well, Stenner Lane, Didsbury, April 1909.

One of the standard historians of Didsbury, antiquarian Alderman Mr Fletcher Moss, was of the view that this Well may have been the “origin of Didsbury, the place the Saxon settlers would choose first for their church and community.” He may well be right. He stated in 1898, that,
“It was said ‘to be holy in papist times.’ Only last summer I several times saw three young ladies who came every morning to bathe their eyes and faces in it, saying, “It was good for sore eyes.” I could not see anything the matter with their eyes, but that may have been my ignorance, or that they were already getting better.

In the spring time or early in May the well has often been nearly choked with wild flowers, and pins have been put in for luck. If rags or crutches were ever left there, it was when the water bubbled up in the roadway on the hillside.

The flow of it is lessened by drains or sewers, and now it is taken down in pipes. The lane is enclosed with brick walls, and all the romance is gone; but in the longest drought or severest frost the water from the holy well has never failed, and though it may come from the churchyard, we and many others drink no other.”

In an earlier passage in 1891, he talked about the longevity and good health of the local people, who credited it to the waters of this Well.

View Of The Holy Well Site 2023, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

Plaque On The Wall, Holy Well Site 2023, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK .

View Of The Holy Well Site 2023, from Within Fletcher Moss Gardens, Stenner Lane, Side, Didsbury, Manchester, Greater Manchester, UK.

Alderman Fletcher Moss, described the hamlet as it was at the end of the 18th century in idyllic terms as a collection of half-timbered, thatched cottages, a smithy and handloom-weavers’ houses, as well as the church and two inns fronting on to the village green. The point where Stenner Lane leads from the green between the two inns was known as ‘The Gates of Hell’ because, as Fletcher Moss explained,
“…there are two inns on the broadway, and many there be that go in thereat; and narrow is the way that leadeth to the church, and few there be that find it.”

Old Postcard Ye Old Cock Inn, (One Of The Gates Of Hell) Stenner Lane, Didsbury 1905.

Another Old Postcard Ye Old Cock Inn , Stenner Lane, Didsbury, June 30th 1909.

A view of The Entrance To The Old Parsonage, And View Of Ye Old Cock Inn, early 20th century, Stenner Lane, Didsbury, Manchester, Lancashire, UK.

Ye Old Cock Inn present day, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

There was a lodge at the Stenner Lane gate facing the church and a row of weavers’ cottages ran along Stenner Lane from the Lodge. The mill stone is not from this site but comes from Didsbury Mill which was in East Didsbury. The weavers’ cottages were demolished in the 1920s. Though further down the lane some 18th century cottages still stand.

View Of Stenner Lane, facing towards St James Church, Didsbury early 1900’s.

Fletcher Moss Gardens are rich in birdlife and flora. You are likely to find wildflowers like Marsh Woundwort, and Purple Loosestrife, and exotic trees in the Parsonage gardens. Tree creepers, bullfinches, siskins, both song and mistle thrushes and the nuthatch are regular visitors.

It’s fitting that, 130 years after she founded what would become the largest conservationist charity in the UK, the great woman whose home was in the grounds, a charming house known as The Croft, has finally been recognised. She matched the suffragettes for passion. But from her home in East Didsbury, it was not the vote for women she campaigned for.

Front And Back View Of The Croft In Fletcher Moss Gardens, Stenner Lane Side, Didsbury, Manchester, Greater Manchester, UK.

A middle-class wife of a solicitor, Emily Williamson persuaded Victorian society ladies to the tragic plight of birds. Their target was the excesses of the millinery trade in the 19th century. Two years later the group merged with the Fur and Feather League in Croydon run by Eliza Phillips, to form the Royal Society for the Protection of Birds.

By 1898 it had 20,000 members and 152 branches. In 1904 it was granted a royal charter. Emily also had the backing of another forceful conservationist, and co-founder of the Croydon group, Etta Lemon, who fought to save the world’s birdlife from ‘murderous millinery’.

The harvesting of the feathers was brutal, with gulls having their wings pulled off while still alive, and great crested grebes almost becoming extinct in Britain. Emily’s organisation was at first cruelly mocked by men, but in 1899 Queen Victoria decreed that some military regiments should no longer wear osprey feathers as part of their uniforms. In 1921 the government passed a new law banning the importation of plumage to Britain. Emily lived at The Croft from 1882 to 1912, She died in 1936, aged 81.

Emily-Bateson-Williamson 1855-1936

There has been a plaque at Fletcher Moss since the RSPB’s centenary year in 1989 which marked Fletcher Moss as the charity’s birthplace, but it didn’t specifically mention Emily Williamson by name. 130 years after she set up The Plumage League, a commemorative plaque was placed on The Croft. The plaque was bought via a Crowdfunding campaign led by the Friends of Fletcher Moss Park and Parsonage Gardens.

Commemorative Plaque recognising Emily Williamson on the wall of The Croft.

Emily, like the suffragettes was pioneering in her beliefs, but modest about her achievements at a time when women could not vote or own property. She said at the time of her campaign,
“Women are mostly timid in inaugurating anything, but they are very ready to give their help to a good cause when they are shown the way“.

Side View Of The Croft In Fletcher Moss Gardens, Stenner Lane Side, Didsbury, Manchester, Greater Manchester, UK.

Another View Of The Croft In Fletcher Moss Gardens, Stenner Lane Side, Didsbury, Manchester, Greater Manchester, UK.

Emily’s husband Robert Wood Williamson, who was a botanist and anthropologist as well as a solicitor, laid out the rock garden at the heart of Fletcher Moss’ when they lived at The Croft. He sold the rockery, The Croft and surrounding gardens to Fletcher Moss, the philanthropist and alderman who lived in the Old Parsonage at neighbouring Stenner Lane, in 1912.Seven years later Moss, died, bequeathing the property to the people. Generations of Mancunians have enjoyed the Didsbury beauty spot ever since.

Various Views Of Fletcher Moss Gardens, Can Be Accessed Via Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

Fletcher Moss Gardens has retained many of its original features such as the rock and heather gardens which themselves lead to Stenner Woods, which can also be accessed adjacent to Millgate Lane and Stenner Lane. The ‘Willow Carr’ is a remnant of a habitat that at one time would have covered the whole of the Mersey Valley flood plain, the Mersey itself can also be accessed by walking down Stenner Lane or cutting through Stenner Woods. Willows thrive in waterlogged soil where other trees drown or suffer from rotten roots. In the drier areas there is an interesting mix of trees, including alder, sycamore, birch, ash, poplars and wych elm.

19th Cottages On Millgate Lane, Didsbury, Manchester, Greater Manchester UK.

18th Cottages On Millgate Lane, Didsbury, Manchester, Greater Manchester UK.

Woodland wildflowers, grow freely, and some of the marshy areas support a variety of marginal plants, those which grow in shallow water, but whose leaves emerge from the water. This includes dotted and purple loosestrife, wild angelica and marsh woundwort.

Dead trees are left standing where it will not become hazardous. Beetle larvae and other invertebrates inhabit the trees. These become the larders of food for birds such as great spotted woodpeckers and tree creepers. At the south end of the woods towards Millgate Fields is a dipping pond with plenty of insects and pond life, how I love to watch the ducks as they swim in and out of their shelters.

Cows In Millgate Fields, Off Millgate Lane, Didsbury, Manchester, Greater Manchester UK.

Dipping Pond, Boardwalk, Millgate Fields, Off Millgate Lane, Didsbury, Manchester, Greater Manchester UK.

Duck Swimming In The Dipping Pond, Boardwalk, Millgate Fields, Off Millgate Lane, Didsbury, Manchester, Greater Manchester UK.

Stenner Woods, via Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

View Of The River Mersey, via Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

It’s something of a blessing that this beautiful area is a flood plain and used as flood defences, and can not be bought up by greedy property developers, and so can be enjoyed by us all.

All in all it’s incredibly hard to believe that this beautiful area is not a car or bus ride away but stands on the outskirts of Manchester’s most desirable suburbs. And remains mostly unchanged since the time of that magnificent man who donated so much to the people of Manchester, Alderman Fletcher Moss himself.

I love the whole area so much that it inspired the first two chapters of my
Book, Asylum: The Highgate Novels (Book One).

Views Of Fletcher Moss Gardens, Last Two With Squirrels, The Gardens Can Be Accessed Via Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

The Beauty of Stenner Lane- Part Two The Haunted Parsonage Of Fletcher Moss.

The Old Parsonage, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

With Halloween almost upon us, our thoughts turns to scares and the paranormal, spirits and the places they haunt, the Old Parsonage on Stenner Lane, Didsbury is one such place. Facing old St James Church, medieval in origin, the oldest building in Didsbury, the Parsonage holds the title of being the second.

Hallway of The Old Parsonage.

The Parsonage is a Grade 2 listed building, within the St James’ conservation area. The first record of the house is from 1646, the home of Thomas Walker, when it was known as Ash House, and referred to as ‘the home of the minister’. A section of stone flooring, (I have trod upon it many times, hoping to feel some essence of times gone by or even a ghostly presence, sadly not) hails back to 1650.

Stone section of the floor of the Old Parsonage, the oldest part which dates back to 1650.

By the 17th century it was owned by the Tatton family, again as a home. John Davenport also lived there as did William Hesketh, at some point, presumably not all at the same time. Between 1761 and 1795 it was lived in by the Bamford family and then in 1795 Sam Bethell moved into the house until 1804. The next occupant, up to 1829, was Miss Twyford, landlady of the nearby Cock Inn until 1824.

Beautifully decorated room, now one of the galleries at the Old Parsonage.

In 1832 a grocer (sometimes referred to as a curate), Sam Newell, and his wife, lived in the house and the name was then changed to Spring Bank. It was Mr Newell who added the two wings at either end of the house. After which time it was let to Rev W J Kidd in the 1840’s who stayed for 10 years before leaving, his servants quitting before him.

The Old Parsonage, Didsbury Lancashire, United Kingdom. Old Ordnance Survey map.

It was at this time the rumours of haunting began, probably spread by those same servants, as both they and the good Reverend himself had reported ghostly activity. Which soon dissuaded any replacements becoming available. He followed soon after complaining of “ghosts and troubles”, the servants claimed that the house was haunted by the ghost of Mrs Newell, and would not stay, though it was rumoured that Mr Newell himself had seen ‘something’. Following his tenancy there were rumours that several tenants failed to settle in the property, they too reported the same spectral presences, which only added to its reputation.

Upstairs at the Old Parsonage, where an orb and a ‘ghostly figure have been seen by the present day staff.

Fletcher Moss himself maintained that the parsonage was haunted, stating that he himself was woken, “probably hundreds of times”, by someone coming upstairs stealthly, opening and closing doors, yet each time he investigated, there was only a waft of chilled air, or simply a “consciousness of something”. Often his dog would bark at nothing or growl and follow an invisble something with his eyes. So fearful was the reputation of the parsonage that when Fletcher Moss’s gardener was offered the facility of ‘living ‘in’ he refused, saying he would, “rather chuck up his place first”.

The ‘ghost’ or ‘ghosts’ are still present in the parsonage, according to the current staff. Recently the CCTV cameras captured an orb travelling along one of the upstairs corridors. A figure of a female was seen along the same corridor, and was at first mistaken for one of the staff, until it was discovered none were present at the time. A figure in white was also spotted by one of the staff in the parsonage gardens at dusk.

The Old Parsonage, Didsbury, Lancashire, UK Mid 19th Century.

It became home to Didsbury’s most famous benefactor, local Alderman and JP, Fletcher Moss, when the house was acquired by the Moss family in 1864, they were corn merchants. Maps of 1851 show that the building was now known as The Old Parsonage and the stone name plate on the Stenner Lane entrance also states the same. Fletcher Moss, then aged 22, moved in with his parents, subsequently buying the house in 1885.

Fletcher Moss on his beloved horse in front of the Old Parsonage 1889.

It is believed that at one time the house was connected to the Cock Inn and this is shown on a map dated 1851. Fletcher Moss wrote in 1906 , “Over the stables of the Cock Inn and extending into this house, is a large upper room called The Wakes Room, but why the inn and parsonage should overlap and have bricked up doorways, I could never understand”. By 1893, the buildings were separated although the outbuildings were still shared.

The Old Parsonage, Didsbury, Lancashire, United Kingdom 1890.

Most of the oak panelling, staircase and beams were added by Fletcher Moss. He believed that beneath the stucco (render) there was a black and white timber building, but discovered that was not the case. He did consider restoring it but decided that the extensions would not fit in if he did.

Staircase of the Old Parsonage, with wood panelling.

The doorway is fashioned from a massive oak tree taken from Broad Oak Farm in Didsbury and is beautifully carved, as is a lot of the woodwork inside. The Eagle Gate on Stenner Lane was bought by Fletcher Moss for £10 when the Spread Eagle pub, once owned by the Moss family, in Corporation Street, Manchester was being demolished. He paid £10 for the gate, and £80 to have it erected on site.

Door and Doorway of The Old Parsonage.

Eagle Gate Entrance at Stenner Lane to the Old Parsonage.

The library in Didsbury is a Carnegie Library and Fletcher Moss was instrumental in it coming to Didsbury in 1915. The library was built on what was the bowling green of the Grey Horse pub. Fletcher Moss travelled around the country extensively and wrote many books about the great houses and the local history of the area. He was also an avid collector and the milestone in the garden was sited at Parrs Wood toll.

Two Old Postcards of The Old Parsonage.

After his mother’s death, Fletcher Moss lived there alone until his own death in 1919, after a life of public service, and had become well-known for his writings on local history. He stayed there for over 40 years, he bought the gardens and house, named ‘The Croft’ in 1912. The Croft was the birthplace of the Royal Society for the Protection of Birds (RSPB).
He also had a plan to build a retirement home for gentlefolk who had fallen on hard times though it never came to being realised.

Fletcher Moss and his mother, Old Parsonage Gardens, late 19th Century.

He bequeathed the parsonage and gardens, the Croft and surrounding land to the people of Manchester in 1914, there was one condition given, that being, he could stay in the house for the rest of his natural life. In his own words he declared, ” I am determined to offer all that part of my property extending from the Fletcher Moss Playing Fields to Stenner Lane, to the corporation if I could retain the use of it for my life”. That life came to an end on the 26th of December 1919.

View Of The Old Parsonage Gardens from inside one of the rooms.

View Of The Old Parsonage.

Two views of the Old Parsonage Gardens, one featuring the medieval church of St James in the background.

The Library with the beautiful Stained Glass Window early twentieth Century and in 2023.

It is said that Alderman Moss, bequeathed the house and gardens to the City of Manchester because he wanted the house and its contents to remain intact “to show what a comfortable house of the olden times was like”. Unfortunately, the house became difficult to maintain and in 1922 many features were removed, including the stained glass and fireplaces.

His dying wish was to be buried in the shrubbery by the yew tree in his garden, alongside several of his dogs and a horse. This appears not to have been granted, as his grave is located in Cheade Municipal Cemetery.

Graves of Fletcher Moss’s Beloved Horse And Dogs.

Fletcher Moss Grave at Cheadle Municipal Cemetery, Cheadle, Stockport, Greater Manchester, UK.

In 1923 the Fletcher Moss Museum opened in the Parsonage, containing some of the furniture and paintings of old Manchester. Much of the collection left by Fletcher Moss was on view to the public. There were also three paintings by Turner, a painting by Augustus John, and etchings by Goya. In 1978 the art gallery closed for economic reasons, and the building was used for offices by the City Council.

Green Man Caving, from a 200 year old Weeping Ash Tree in the Old Parsonage Gardens. The tree had succumbed to Ash Die Back in 2022. Wood Sculptor Andy Burgess carried out the work in September 2023.

In 2011 Didsbury Civic Society started a fundraising effort to raise the money to renovate the house and formed a separate charity (owned by the DCS). Over £160,000 was raised and thankfully the house was once again opened to the public in September 2012, this time as a community space. It is leased to the Trust by Manchester City Council. It has been a major success as a lovely centre for the community, it houses classes ranging from children’s drama to art, from lace-making to yoga.

It also hosts business seminars, weddings and arts events. In the spirit of its time as a much loved Art Gallery there are monthly changing art exhibitions by local artists. As a community space it provides rooms for local group meetings, hosts community events and is now an integral part of the Didsbury community. Its gardens have won several local and national awards having been restored and maintained by the Friends of Fletcher Moss Park and Parsonage Gardens.

Parsonage Gardens in 1925 (black and white photo) and in 2023.

For which we should be eternally grateful and to the marvellous man who bequeathed the house and gardens, Alderman Fletcher Moss himself. The Fletcher Moss pub in the village was originally named The Albert and was renamed in honour of Fletcher Moss, since moving to Didsbury it has become our local.

The Fletcher Moss, William Street, Didsbury, Manchester, Greater Manchester, UK.

The park and house remain today as a hidden gem, and is one of my very favourite places, there is a tranquil peaceful welcoming atmosphere, in the parsonage and if Mrs Newall still walks between the walls of her old home, her presence is a friendly and calming one.

The old parsonage has left such a lasting impression on me that it is featured as the old parsonage in chapter one of the first book in the Highgate Novels -Asylum.

The Old Parsonage, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

The Beauty of Stenner Lane- Part One, The Gothic Splendour Of St James Church, Didsbury.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

Since recently moving to East Didsbury in South Manchester, one of my favourite places to visit has been Stenner Lane, which is the location of Didsbury’s two oldest buildings. It is interesting to note that the area around St James’ Church has the highest concentration of listed buildings in Manchester, outside the city centre.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

And walking down Stenner Lane itself you find yourself cast back to a long forgotten time, with the serenity of your surroundings it’s hard to believe that you’re not actually walking down a country lane, instead of being in a popular suburb of South Manchester.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

St James is a Grade II* Church of England church in the Manchester suburb of Didsbury and with nearby Emmanuel church is part of the parish of St James and Emmanuel.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

Didsbury itself derives its name from the Anglo-Saxon Dyddi’s burg, probably referring to a man known as Dyddi whose stronghold or township stood on a low cliff overlooking a place where the River Mersey could be forded.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

In the 13th century Didsbury was variously referred to as Dydesbyre, Dydesbiri, Didsbury or Dodesbury.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

A charter granted in around the year 1260 shows that a mill for grinding corn was in operation in Didsbury, along the River Mersey. But the earliest reference to Didsbury itself is in a document dating from 1235, recording a grant of land for the building of a chapel. That church was St James.

Lychgate of St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

Albertus de Gresley granted land to Nicholas de Longford who was Lord of the Manor of Withington, for the foundation of that chapel in Didsbury. The first mention of the chapel is in the records of the Lancashire Assizes when ‘William, Chaplain of Didsbury, came not on the first day and was fined’.

Door of St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

In 1352, the Bishop of Lichfield gave permission for the consecration of a churchyard for the burial of the many victims of the Black Death who had died in the locality so they may be buried in sight of a church.

Graves in the churchyard of St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

In 1541, the Diocese of Chester was formed and the church was transferred from the Diocese of Lichfield. This parish covered a wide area from the River Mersey to the then village of Moss Side and from the villages of Chorlton-cum-Hardy to Heaton Norris and Reddish.

Baptism Record for Saint Ambrose Barlow.

St James is listed as an ancient Anglican church of medieval origins with significant subsequent 17th and mid-19th century modifications. It was originally known as St Oswald’s but was renamed St James in 1855. The church was designated a Grade II* listed building on 25 February 1952.

10-Didsbury Chapel, (now St James ) Didsbury, England, 1620.

The original chapel is believed to have been a 13th-century oratory. Rebuilding, including the so called “dumpy” tower, took place in the early 17th century. A memorial stone over the tower’s north door commemorates its benefactors, Sir Edward Moseley and Anne Mosley and shows the date 1620. The pinnacles and loops surmounting the tower are from 1801. The Mosley family, local magnates, were the benefactors. The chapel became the parish church of Didsbury in 1850. The nave was constructed in 1855, the chancel in 1871 and the east part of the south aisle in 1895.The church is of red sandstone with slate roofs.

St James Church, Stenner Lane, Didsbury, United Kingdom 1901.

Nikolaus Pevsner the art historian found the interior “odd, with early seventeenth century fabric, but later additions and alterations have changed its character”. The 18th-centuries galleries have been removed and substantial reconstruction took place in the 1850s and 1890s. The stained glass is all 19th century.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

The church contains impressive funerary monuments, particularly of the Mosley family. A “good early C17 wall monument in Renaissance style, a 3-bay Ionic colonnade surmounted by a central Corinthian architrave with cresting, with kneeling figures in each part” commemorates Ralph Mosley, who died in 1616. Sir Nicholas Mosley, the builder of Hough End Hall, is shown kneeling, “dressed in the robes of the Lord Mayor of London (1599)”. The Mosley heiress, Ann, Lady Bland, the founder of St Ann’s Church, Manchester, is also represented.

3-bay Ionic colonnade of The Mosley Family .

Various Views Of The Interior Of St James.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester, UK.

St James Church has a beautful serene atmosphere, a feeling of ancient times, but I certainly wasn’t expecting to see anything out of the ordinary, which is what happened to me a few weeks past. On a recent visit, I was startled to see a black clad figure, (like the robes of a cleric) stood amongst the bicycle stands, as I stared, the figure vanished. I walked over to the location and found the temperature, warmer just in that location, I have never heard of any ghost stories associated with St James, but a numbers of former rectors and clerics are buried in the church yard.

The Bicycle Rack, St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester UK, Location Where I Spotted A Spectral Figure.

The interior of the church underwent significant repair and renovation in 2012 as part of the 775th anniversary celebrations. The six St James’ bells date from 1727 and were cast in Gloucester. The bells are rung before worship on Sunday and for special occasions such as the lovely wedding party I witnessed last Saturday morning leaving the church. I have never heard of any rumours

Side door of St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester UK.

I’ve always loved St James long before it became my local church, which is something I could never have dreamed of, to find myself living in such a beautiful location. It was such an inspiration for me that it became the church mentioned in chapter one and two of the first book in the Highgate Novels -Asylum.

St James Church, Stenner Lane, Didsbury, Manchester, Greater Manchester UK.